Fiene Quintanilla Online Catalogue Raisonné Project
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catalogue raisonné,
choose from the links below.
Thumbnails, Part 4:
Prints made for Illustrated Books
(These prints are not included in the catalogue raisonné proper.)
A Biographical Chronology
of the artist (and its accompanying linked pages) appears on the website
The Art and World of
Luis Quintanilla

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The Fiene Quintanilla Online Catalogue Raisonné Project, use the links below.
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Quintanilla Copyright ©2006,
Jeffrey Coven, CATRAIS Copyright ©2010 IA\TPC
The Prints of Luis Quintanilla:
A Catalogue Raisonné
(in progress)
Full Entry Catalogue
Catalogue Entry #: 11*
Title: Consejos (Advice)**
Series: Madrid Prints


Click the image for enlargement.

Date: 1931-1934***

Medium: Drypoint, possibly including some etching****

Edition: 8 numbered impressions plus at least one unnumbered impression*****

Dimensions: 360 x 275 mm. (14 3/16 x 10 3/4 in.)

Printer: Adolfo Ruperez

Paper: Wove with Arches watermark

Signature: Typically signed in pencil, l.r., beneath the plate mark.

Public collections holding this print: BNE

Topic galleries for this print:
1. Scenes Featuring Animals
2. Women (Studies of)

Notes

*Catalogue Entry #: For numbering used in other catalogues, see below.

**Title:

  • The Spanish title appears in the artist's hand in pencil on at least one impression, l.l. (See Fig. 1 below.)
    • The only known impressions bearing titles in the artist's hand for Madrid Series prints are in the Hemingway Collection and carry their titles l.l. where the numbering normally appears.
  • The Pierre Matisse Gallery and BNE catalogues (1934) also use the title "Consejos."
  • The Associated American Artists exhibition catalogue "Luis Quintanilla" uses the title "The Bride."
  • The English, "Advice," doesn't appear on any observed impression and is our translation of "Consejos."


Fig. 1

***Date: No date appears on any observed impression of this print. Of the dates that appear on works in the Hemingway Collection, which includes this print, none is earlier than 1931 and none later than 1934. Quintanilla started making drypoints, in fact prints in general, with Adolfo Ruperez, the printer of all the prints in the Madrid Series, sometime after the artist's return to Madrid in 1929. (See Biographical Chronology.)

The one known exception to the range of dates specified in the paragraph just above is entry # I.

****Medium: A final determination for the medium has not been made.

For a discussion of the factors involved, visit the "Medium" section of "Using This Catalogue Raisonné."

Reproduced in: "Luis Quintanilla" [AAA exhibition catalogue]. (For more about Quintanilla and AAA, click here.)

*****Edition:

  • The BNE impression is inscribed "N° 1 de 8 preubas" (Number 1 of 8 proofs).
  • Ruperez typically printed ten or fewer (most commonly 7-10) of Quintanilla's Madrid Series prints, often including at least one or more unnumbered impressions. (No record exists of more than two unnumbered impressions of any of the Madrid prints.)
    • The Hemingway Collection typically includes one unnumbered impression bearing a title instead of the number, l.l. (See Fig. 1 above.)
    • For further discussion of editions and numbering, visit the Edition section of "Using This Catalogue Raisonné."
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This page last revised: Sunday, December 17, 2006